Part 6 in my series which applies traditional snare drum rudiments to the drum set. Here I demonstrate the basic Single, Double, and Triple Ratamacues and how to create variations for the drum set. I show different orchestrations, rhythmic variations, and double bass drum applications. Whether you’re into Bonham, Gadd, or Tre Cool, you will be able to take something away from this demonstration.
Click here to download the PDF transcription of the examples: PartSixSingleDoubleTripleRatamacue
Next in my drum video tutorial series which apply snare drum rudiments to the kit, Part 5 explores the possibilities of the Single Drag Tap. Drawing inspiration from Steve Gadd’s interpretation of the Ratamacue in his video Up Close, I developed my own triplet, 16th note, and double bass drum applications of the Single Drag Tap.
Click here for a downloadable PDF transcription of the examples: Applying the Single Drag Tap
Part 5: Applying the Single Drag Tap to the Drum Set
Part 5 (continued):
Below are my four videos demonstrating various ways to interpret the snare drum rudiment The Drag. I was inspired by Steve Gadd’s interpretation of the Ratamacue in his video Up Close. You should definitely have that one in your video collection. Steve stretched out the rhythm and replaced a snare note with his bass drum. The result was a new idea to play around the drum kit that sounded much hipper than your average military style Ratamacue. I thought why don’t I do my own interpretations with other rudiments? So I did! Hopefully this will inspire you to develop your own licks based on the Drag.
Click here for a printable set of exercises based on these video lessons.
Part 1 is a demo song showing all of my Drag interpretation in a song context.
Part 2 demonstrates the basic drag with 16th note and triplet orchestrations.
Part 3 shows advanced rhythmic and linear applications of the Drag. Click here for a PDF transcription: The Drag Part 3 Examples
Part 4 displays my double bass (kick) drum interpretation of the previous Drag-inspired rhythms from Part 2. Click here for a PDF transcription: The Drag Part 4 Examples















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